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Topic: Feeling the first 4 lines of the excerpt The Spring Day Scene in the Tale of Kieu by Nguyen Du.
Lecture: Spring day scene – Ms. Nguyen Ngoc Anh ( teacher)
- Outline Feel the first four verses of the Spring Day Scene
- Feel the first four lines of the excerpt Spring day scene – sample 1
- Feeling the first four lines of the excerpt Spring day scene – sample 2
- Feeling the first four lines of the excerpt Spring day scene – sample 3
Outline Feel the first four verses of the Spring Day Scene
– Introduction of author Nguyen Du and excerpts of Spring Day scene
Nguyen Du (1766 – 1820), is a great author of Vietnamese literature.
+ This excerpt was written after the talented description of Thuy Kieu sisters.
+ The excerpt is a natural picture depicting a beautiful spring scene with a bustling and jubilant festival scene.
– Introduce the first four verses:
In the spring, the swallow took the shuttle. Thieu Quang was ninety and over sixty. The young grass was green to the horizon. The white pear scene was dotted with a few flowers.
II. Post body:
* Overview of the Spring Day Scene
– The poem Scene of Spring Day is a natural picture depicting a beautiful spring scene with a bustling and jubilant festive atmosphere.
– Spring scene is described by Nguyen Du in space and time sequence.
+ Spacious space: the spring day scene is clear, pure and full of life.
+ Space in the sky
+ Swallows give shuttle
+ Space below ground
The color of green grass is creepy to the horizon: evoking a spacious space.
+ White pear branch: evokes purity and clarity.
+ Time: time of Qingming period
+ Thirty light, over sixty
⇒ Evoking space and time: warm spring colors, joyful spring festivals and warm spring love.
* Contact ancient Chinese poetry
– The image of the pear flower is described in ancient Chinese poetry:
Phuong Lien Thien Bich Le chi book points flower.
(The fragrant grass followed the blue sky Pear flowers a few flowers bloomed)
– These two verses are more about describing scenes and still scenes.
– Two verses of Nguyen Du are also pictures of spring scenery, but more colorful and full of life.
The method of inversion in Nguyen Du’s poetry makes the image of white pear flowers more vivid and sparkling.
⇒ Harmonious colors evoke the characteristics of spring.
⇒ The brushstrokes are descriptive, suggestive, and word suggestive: the spring day scene appears pure, new and full of life.
+ Content: depicting a clear, harmonious and pure spring nature picture.
+ Art: The language is rich in images and descriptions.
Feel the first four lines of the excerpt Spring day scene – sample 1
In medieval literature about spring, there are many beautiful and unique verses like the poem Mai by Nguyen Trai:
When spring comes, the flowers are not good, I like you because the weather is cleaner than people. The east gate must have been a guest, Maybe the fairy sets make friends.
But perhaps there is no poem in which the picture of spring nature is described as beautiful, pure and fresh as in Nguyen Du’s poetry. With only the first four verses in the excerpt “Scene of Spring Day”, the great poet opens up a beautiful and beautiful natural space in front of readers’ eyes.
On the spring day, the swallow took the shuttle. Thieu Quang was ninety years old and over sixty
The verse opens with the image of bustling swallows flying in the sky, creating a vast and vast space. The image of spring is made clearer in the second verse: Thieu Quang – the most beautiful bright spring light. Nguyen Du’s time calculation is also very special, spring has “ninety over sixty” that is when spring has entered the third month, the sun becomes brighter and warmer. Thus, the space is filled with light. The poem not only describes the scene, but also shows the emotions of people behind it. The image of “swallow shuttle” both evokes the vast, vast space and evokes the flow of time. The bright and warm spring passed so quickly that people couldn’t help but feel sad. His sense of time is very new and modern, unlike other medieval poets: “Spring in the past, flowers in bloom / Spring in flowers in bloom”, but similar to the feeling of poet Xuan Dieu: “Spring in spring. Spring is coming means spring is passing / Spring is young means spring is old.” It is a new unique feature in his compositions, although different in form of expression, it shows nostalgia for spring time – youth, cherishing and cherishing each moment.
To complete the spring picture, Nguyen Du used a dotted pen to sketch a beautiful, harmonious picture of colors:
The young grass is green to the horizon. The white pear branch is dotted with a few flowers.
As the background for the spring picture is the fresh, tender grass stretching to the horizon. From there, making the space of the sky and the space of the ground also become more vast and spacious. On the young green background, full of life, appeared a few delicate and pure pear flowers. Here, the colors of the picture are in absolute harmony, the young green of the grass combined with the pure white of the pear flower, highlighting the vitality and elegance of the pear petals. Moreover, Nguyen Du also proved to be especially sensitive when using the verb “point” to make the scene look divine, soulful, not static. Combined with the inversion “white spot” once again emphasizes and highlights the white color of pear flowers.
Reading Nguyen Du’s verse, we suddenly remember an ancient Chinese verse:
Phuong Lien Thien Bich Le chi book points flower.
On the basis of the acquisition of colors and the large space of the painting, Nguyen Du has had unique creations, making his paintings bring beauty and vitality. The painting in ancient poetry emphasizes the fragrance and focuses on the young green color of the grass, the white color of the flower is just a secondary factor, dominating the picture. And in Nguyen Du’s autumn paintings, the element he particularly emphasized is the lush green color, full of the vitality of nature. The white color of the pear flower is the element that highlights the beauty of the picture. There is a perfect harmony and harmony between these two colors. In particular, Nguyen Du’s painting is not static but very lively and soulful. He used the inversion of “white spot” to make the picture appear to be both slender, soft, and lively. It is this point that makes his spring painting a masterpiece in landscape art.
With just a few strokes of the brush, evoking, Nguyen Du has painted a beautiful picture of spring nature. From there, readers can feel the poet’s talented and rich pen, along with the cheerful, elated, and sensitive human soul with beauty.
Feeling the first four lines of the excerpt Spring day scene – sample 2
One of the artistic features of Nguyen Du’s “Truyen Kieu” is the depiction and embellishment of natural paintings commensurate with the situation and mood of the main character, Thuy Kieu. The excerpt “Spring day scene” is a picture of a spring landscape and a spring travel scene by Thuy Kieu sisters. A beautiful and vivid picture but still contains sad features foreshadowing a near future of Thuy Kieu.
The first four verses summarize the natural landscape with spring’s distinctive features and the classical style of the natural scene evokes in chronological order, the style breaks conventions:
“On the spring day, the swallow takes the shuttle. The light is ninety and over sixty. The young grass is green to the horizon. The white pear branch is dotted with a few flowers.”
The opening two verses both evoke the spring space and describe the flow of time. The spring day has passed quickly, ninety days of spring, the weather has turned to March. Last month of spring. But in the high and wide sky, the swallows’ wings were still bustling and fluttering like shuttlecocks. Beneath the ground, spring is in full bloom. A beautiful spring picture on the background of young green grass stretching to the horizon, highlighted in the close-up is dotted with a few white pear flowers. Nguyen Du describes the spring scene as the immense green grass reaching to the horizon. Blue highlights the white color of the newly bloomed pear flower, white letters are added in front of verbs and nouns. Create a new surprise that makes the landscape painting more pure and elegant. The four lines describing the spring scene are truly wonderful, the language is rich in evocative and expressive imagery. Through this poetic picture, the reader can feel the sensitive soul earnestly before the clear, fresh and warm natural scenery of spring.
“Thanh Minh in the March period, the festival is the grave, the festival is the pedal”.
The next eight verses the author recreated the festival scene in the Qingming period and the spring travel scene. In the third period, Thanh Minh’s clothes are like wedges. The ceremony is to visit the grave to visit, repair, sweep, sprinkle paper money … To remember the deceased ancestors. The club pedaling is fun in the countryside, stepping on green grass. In the Qingming period, there is a unique harmony between the past and the present.
“Nearly far away, brothers and sisters are busy shopping for spring travel, supporting actors and actresses, horses are like water, clothes are like wedges”.
The above four verses are the narrative language describing the festival picture. A system of nouns, verbs and adjectives expressing the bustling, exciting and joyful actions of the people attending the festival. The interspersed visits and festivals make the spring day scene more jubilant, joyful, warm, and people and scenes blend together. It seems that the spring light, the festive joy is covering all of humanity. Including two sisters Thuy Kieu. So, through everyone’s spring trip, the poet portrays an ancient cultural tradition of festivals so beautifully, so vividly.
The last six sentences describe the scene when Thuy Kieu sisters returned from spring travel
“The shadow of the shadow leans to the west Sisters wandering around with their hands out and about, Step by step following the mountain of Tieu Khe, Seeing the scenery with a clear surface, When the water flows around, the small bridge at the end of the rapids crosses”.
Unlike the opening verse. There is no more joyful, exciting atmosphere. The melody of the poem is sad because the festival has dissolved, the spring scene has gradually ended. In the morning, the weather was still bright and clear, the sunny sky was pale. So the sunny sky was pale and the small water ravine. The wandering footsteps full of mood looking at the water winding around made my heart flutter. The scene is now tinged with mood. The words slanderous, barbaric, nao not only express the nuances of the landscape but also the human mood. The feeling of wistfulness and anxiety about a spring travel day is still there, but a premonition of what is to come has appeared, there is a mixture of joy and sadness.
It seems that every picture of nature in Tales of Kieu is tinged with mood. In the natural picture of a spring day, people’s moods also change with the scenery. At the beginning of the festival – at the end of the festival and those hunches about the future are poet Nguyen Du’s talent for depicting love scenes.
Feeling the first four lines of the excerpt Spring day scene – sample 3
Nguyen Du’s Tale of Kieu shows the author’s talent in depicting allegorical scenes and natural beauty in spring. The excerpt “Scene of Spring Day” is where the author shows the quintessence of his talent and sense of nature.
Only the first 4 verses help readers feel the picture of a beautiful spring day in a year. Nguyen Du brings typical details of spring to readers:
“On the spring day, the swallow took the shuttle. Shelf light was ninety years old and over sixty.”
On the vast sky, the swallows of spring are fluttering, the two words “shuttle” evoke sexy images, the swallows are like shuttlecocks flying back and forth, bringing the image of spring and the meaning of spring. The scene of spring day in the poem appears very simple but familiar.
After the spring symbol is “more light ninety, over sixty.” According to the author’s calculation, “whispering light” represents the passage of 90 people from spring to March. This is the time when spring weather is very fast and The above poem is like telling the time and showing a beautiful spring picture.
“The young grass is green to the horizon. The white pear branch is dotted with a few flowers”.
Notice how author Nguyen Du inherits descriptive lines of ancient Chinese verse to use in a very unique poem. On the background of green grass and vast horizon are white pear flowers blooming. The author uses an inversion to put the word “white” first to help readers feel that on the green background, a few white pear flowers have created a beautiful and extremely outstanding picture. The green of the meadow combined with the white of the pear flowers makes the picture more vivid and pure than ever.
The first 4 verses are a picture of the beautiful nature of spring with swallow wings, lush meadows and beautiful white pear blossoms combined with images of people enjoying nature. Through the author’s description, we can feel that he loves nature and has very subtle feelings about nature and spring.
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